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田小豆是一名留守儿童,爸爸妈妈离婚后,爸爸出外打工一直没有回来看过田小豆。爷爷和奶奶带着田小豆在家里。田小豆时常想念爸爸告诉了爷爷,忙于农活的爷爷对田小豆说:一个人什么时候能去水坝玩了,你爸爸就会回来看他。田小豆独自一个人走向大沟的远处,田小豆走了两天两夜终于找到了水坝,在这两天里他遇见了古怪唱歌跑调的徒步大叔,急着回家看望孩子的打工叔叔,好心的小雪和小雪妈妈。已经长大后的田小豆站在家里的葡萄树下回忆着自己的童年往事,明白自己已经长大了,在怎么苦涩的童年都是值得回忆。
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The day Kelly-Anne has been waiting for has arrived. The trial begins for Ludovic Chevalier, accused of the brutal murder of three underage girls. Unlike most people, Kelly-Anne is fascinated by the man, she becomes obsessed with him and attends every single court hearing in the hope he’ll give her at least a fleeting glance. The border between reality and fantasy starts to blur, however, until Kelly-Anne ceases to be a mere passive observer. Pascal Plante once again expresses an interest in female subjectivity, nevertheless, this time he has come up with an arthouse thriller about the perilous attraction of evil. At the same time, the interplay between what we can and can’t see, and what is explicit and what is conjecture, develops into an almost physical viewing experience. 源自:https://www.kviff.com/en/programme/film/63/40082-red-rooms
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