“南京真是一块福地！”
赊店老酒携手CCTV-2《一槌定音》共绘文化传承新画卷
国庆解锁！海外侨胞为“魅力新广州”花式打Call
上饶市余干县第六幼儿园开展龙舟非遗体验课
威海智造 冠军领航 从“千规千面”到“千舱千智”，一艘高端客滚船的“冠军制造”算法
This film is an extremely entertaining psychological thriller with Carrol Baker excellent as a rich American widow getting away from it all at a secluded Italian villa. Enter smart aleck down on his luck playboy, Lou Castel, who has some golddigging motives behind his slick hipster seduction techniques and has no qualms about how he gets what he wants. He encourages Baker's character's incipient alcoholism and dubious self-esteem, brings in his supposed 'sister' to help drag Baker even further into a maze of sick mind games, drug addiction and group sex, all culminating in a descent into near-madness and self-destructive depravity. I won't give away anymore, suffice to say that the film delivers on its swinging sixties, Euro sleaze ambience and psychological suspense thriller credentials in spades. Director Umberto Lenzi's work has been, at best, uneven and he's churned out his share of crap. However, he made some quite good giallos and crime pictures in the sixties and seventies and this is one of them (other good films by Lenzi -- SPASMO, SEVEN BLOODSTAINED ORCHIDS, ASSAULT WITH A DEADLY WEAPON, to name only a few). Unfortunately this film is ofen confused with another okay but not-quite-as-good Lenzi film that was also released briefly here in America under the same PARANOIA title (but is more commonly known, especially on video, as A QUIET PLACE TO KILL).
总数453家！票根“宠粉”队伍再扩容
北京武术队双人组合上演《扇心武韵》：一招一式间 现东方神韵
商务部：延长对原产于加拿大的进口油菜籽反倾销调查期限
現代女作家穿越进了自己写的小说里？！还穿成女扮男裝的早夭皇帝，为保身家性命只好紧抱摄政王大腿，谁知竟抱到了床上？！