外交部：愿同伊方保持沟通，为恢复中东地区和平与稳定发挥建设性作用
泰安市崇信学校开展“070勇敢者行动”反欺凌宣传周系列活动
淄博外国语实验学校学子勇夺全运会十项全能亚军
愿天堂也有篮球！山东男篮名宿徐长锁因病去世，众人发文哀悼
A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art. Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.
中银金融、国家电投等新设海洋可持续发展基金，出资额20亿
商务部：《关于加强相关两用物项对美国出口管制的公告》第二款暂停实施
In 1968, five friends set out on a 5,000-mile road trip in a white Ford van bound for South America.
最低6.38万元起 比亚迪秦L秦PLUS智驾版推限时补贴政策
我驻泰使馆提醒！避免前往泰柬边境这些区域