《夫妻互换呻吟抽插小说》生活高清视频播放 - 生活中国大...

日本多地开征或拟征住宿税 用途包括建设旅游设施等

微短剧《创业那些事儿》在赣州上犹开机

中国人民银行行长潘功胜在2025金融街论坛年会上的主题演讲

蔚县无忧小镇精彩演出“嗨翻”假期

杭州直飞往返迪拜再添新航线

十五运会创佳绩！南京健儿一日斩获五金两银两铜

横导：《如龙》团队规模几乎没变过 最忙也就80来人

影像记录｜相聚吴桥 展现世界杂技多彩魅力

Fourteen-year-old Farha dreams of attending school in the city with her best friend Farida, but she knows that, as the daughter of the mukhtar (the head of the village, played by Ashraf Barhom), she is in for an uphill battle against tradition. Girls Farha’s age are expected to marry. It’s 1948, and British control over Palestine is coming to an end. What Farha and her father do not yet know is that forced displacements are already happening across the region. When Israeli bombs reach their village, Farha’s father locks her in the cellar of their home, promising to return as soon as he can. While Farha waits and watches through the cracks, the village she was so excited to leave is transformed to ruin, threatening an end to the future she had planned and leaving only trace memories in its wake. A dauntless and compelling feature debut by Jordanian filmmaker Darin J. Sallam, Farha captures both the isolating terrors of war and the lingering beauty that can colour recollections of dispossession — a mental record of the last laugh shared, the faint smell of freedom before the void of exile. An impressive lead performance from newcomer Karam Taher punctuates catastrophic loss with uncompromising determination. In this remarkable and devastating story, Sallam’s resonant directorial voice presents a penetrating perspective on the Nakba and returns the gaze to a cultural legacy in the midst of a global resurgence.