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BBC纪录片《油糖陷阱》本片通过真人测试发现：单独吃糖或脂肪，短期内都可减轻体重；造成肥胖问题的根源是“糖油混合物”；不摄取糖分反而易得糖尿病
创校史最佳！西安科技大学学子斩获ICPC亚洲区域赛武汉赛区铜牌
《奶一压在玻璃窗》超高清4K完整版 - 手机在线免费线看
糖心柚子猫圣诞节礼物:一份特别的惊喜与祝福
A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art. Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.
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欧美gayge每次发射节约近2亿，报价比SpaceX更低，天舟增强货船成本骤降
央视网出文:成品伊人煮和小辣椒奥特曼阴道里塞冰块视频邦克厨卫五金：以“好产品+全域渠道”引领行业新范式
99个车位+无缝换乘！青岛山东路—鞍山路智慧停车场正式“上岗”
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魔乳秘剑帖 无修版详情介绍-魔乳秘剑帖 无修版在线观看-魔...
小米YU7首秀过后，雷军该如何定价？
农行新驿镇支行：精准反诈筑防线，守护群众“养老钱”
（总台央视记者 央视网出文:成品伊人煮和小辣椒奥特曼）
