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成丰县有一条小巷，叫做施公径。巷子里有一间古旧的大屋，住的是施家后人。他们本来是当地的首富，不幸在二十年前发生惨剧，一家十三口全部给土匪杀死了。只剩下一个独生子跟他的妈妈。当时施家十三具尸体都扔在屋后面一口枯井里面， 事后鬼怪的事情层出不穷，有人说尸体的秽气扰及地龙，所以招致不详——但是这些，不过是种传闻。今天是施家老太太的五十岁生日，因为施家人丁单薄，所以，没有大室进入……

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　In his first film, Shane Atkinson goes back to a cinema that isn’t afraid of mixing genres, where noir and western coexist with the most corrosive of comedies and pulp detective stories. LaRoy, some sort of earthly fairy tale, centers around the life of Ray—he’s doing quite well with his small hardware store, and is married to Stacy-Lynn, the town’s beauty queen. But his dream present crumbles when his friend Skyp, a private investigator, reveals to him that his wife is having an affair. Devastated by the news, he decides to take his own life, but when he’s about to shoot himself, he is approached by a man who mistakes him for a hitman and offers him a considerable amount of cash for a job. A wildly intelligent narrative about pathetic characters that oscillates in the thin line between irony and empathy without the audience noticing.

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