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Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.
电视动画《厨神小当家》改编自小川悦司著作的漫画《中华小当家》，由杰外动漫企划、NAS和Production I.G负责动画制作，于2019年秋季播出。 十九世纪的中国。主人公刘昴星通过了被认为是中国最高点的厨师资格“特级厨师考试”，成为史上最年轻的“特级厨师”。 在师傅周瑜的提议下，阿昴为了开阔厨师的视野，和同伴四郎还有周梅丽一起游览了中国西南方。其后回到广州“阳泉酒家”的阿昂，下定决心要与企图“用料理支配人”的“黑暗料理界”作斗争。 在这种情况下，他得知了据说是守护着中国料理界的八件“传说厨具”的秘密。过去，阿昴的母亲陈邦铃祈求千万人的幸福，与“暗黑料理界”展开过激烈的战斗。继承母亲的遗志，从“黑暗料理界”的手中守护散落在中国大陆各地的“传说厨具”，阿昴与四名同伴一起踏上壮大的旅程——
【“城超”前沿观察哨】③急报！又可以抢票了，还能抽车......
自20世纪70年代开始，美国政府实施了名为SETI的计划，30年来不间断的用射电望远镜扫描宇宙空间，旨在寻找外星生物和相关文明。在犹他州的德威市，有一所隶属政府的实验室，这里正在进行一项秘密试验。在此之前，人类曾受到外星文明发回的信息，其中包括外星生物的DNA组成和生命重组的方法。犹他州实验室的科学家们利用外星人提供的资料培养出拥有外星人DNA的新人类“塞尔”。出于某种原因，政府决定中止这项实验，但其中一个塞尔却逃出实验室。她将给人类带来怎样的影响？ 本片荣获1996年MTV电影奖最佳银幕之吻奖、1995年科环宇宙杂志最佳化妆奖、1995年Sitges-Catalonian国际电影节最佳特效奖。